Changing the value of a shape can be the difference between the painting popping or not popping. Unless I’m aiming for subtlety or moodiness, I like my paintings to pop.
Darkening the value of the center cell creates a much greater sense of space, or depth, in the image. I like the way it hovers over the rest of the painting when it’s a darker value. The image on the left bores me. It doesn’t invite my eye into the painting to explore the various objects.
I couldn’t resist revealing more of the treasures hidden within the skirt of the glass lady.
Sketchbook painting: drawn first with fountain pen filled with Noodler’s Black Ink, followed by watercolor on Rives BFK paper