Hours passed as I waited for the fog to lift.

Fog cover .... Mussel Rock, Pacifica, CA

Fog cover …. Mussel Rock, Pacifica, CA

Waiting for conditions to be right for my first paragliding flight is different from most other sorts of waiting.  I can usually concentrate on drawing while the minutes tick by.  This morning my attention was seriously split between being an artist and being a bird.

Fog at Mussel Rock, Pacifica, CA

Fog at Mussel Rock, Pacifica, CA

Still foggy and no wind

Fog begins to clear …. but no wind

Finally the fog cleared.  The wait continued as the wind refused to grow strong enough for sufficient lift.  I didn’t want to simply drop to the earth as I did when I jumped from a plane.  I wanted to soar, riding thermals to touch the clouds.

Succulents

Succulents

As the sun headed toward the horizon, all hopes of flying vanished in the warm glow.

Between drawings I wandered the paths, inhaled the sea air and thought about how I want to spend the next two years. Why two years?  Because I’m following the suggestions of my fabulous Business Coach, MS.  Where do I want to find myself as an artist in two years?  Where do I want to find myself in ten years?  Where is that magical balancing point between painting as painting leads me and painting as the economy leads me?  My brain felt foggier than the air around me.  I tried to be objective about realism vs. abstraction and where en plein air and the Color Scheme Game fit into the plan.  Though I reached no conclusions, I found more options.

I didn’t get to fly today.  Instead, I had a wonderful day of contemplation.  My sleep will be sweet tonight.

Sketchbook drawings:  Pencil and watercolor, Ink and watercolor on watercolor paper in handmade, coptic bound sketchbooks.

Orbs No. 25 - Waxed Watercolor - 32" x 48"

Orbs No. 25 – Waxed Watercolor – 32″ x 48″

Life is coming together in a wonderful way.  I have missed posting on a daily basis, however, my time away from the computer has been well spent.  thirty years ago I could only dream of painting the paintings I have recently created for the solo exhibit at Overlook Medical Center, November 1, 2013 – January 5, 2014 in the Bouras Gallery.  Going back to square one to study Color has paid off in trumps!

Orbs No. 14 - Watercolor - 22" x 15"

Orbs No. 14 – Watercolor – 22″ x 15″

For once, it was better that I didn’t have windows through which to see the beautiful days that passed by as I poured, sprayed, brushed, splattered and spun paint on paper, both large and small.  The trash I found at flea markets proved to be treasures, working as templates to create translucent layers of shapes that interact with one another.  The illusion of movement through space is fabulous in this new body of work.

The day after tomorrow I’m headed back to California to teach workshops and to paint the real world again in the hills surrounding San Francisco.  I’m hoping I can project a glimpse or two of my inner worlds onto the real world as I paint en plein air in the landscape that I love so much, those crazy barren hills with spots of live oak.

Though the life of a painter is always challenging, I wouldn’t trade it for any other sort of life.

Images:  Watercolor Orb Paintings, part of the Series for Art, Energy and Healing.

The events of the last six months has transformed my life in an incredibly positive way.

Mouse, Tail of a Parrot, Coffee Mug, Fountain Pen Cap and Key to my FIT

Mouse, Tail of a Parrot, Coffee Mug, Fountain Pen Cap and Key to my FIT

Thanks to a kindred spirit, Joanie Springer, an amazing artist I met through Daily Paintworks and my Creative Color Blog, I taught a couple of workshops in Santa Rosa in November when I visited my son in Mountain View.  That visit realigned my brain and my heart.  The amazing Weedy Seadragon ( Phyllopteryx taeniolatus) I discovered at the Academy of Science in San Francisco sealed my fate.

Jumping ahead six months….. I replaced my 1988 K-car (that I loved, but needed a new catalytic converter to get through NJ inspection this month) with my first New Car!, a standard transmission (hooray!) Blue Raspberry (turquoise) Honda, FIT.  I got 44.5 mpg on a recent trip to Maine.  In addition to the amazing new set of wheels, I added an ipad to my collection of amazing devices.  I can now make my own art videos to post online for my workshop students.

Skipping the rest of the wonderful moves forward…… my father’s dementia is taking it’s toll.   When my father received a Lifetime Achievement Award from Rotary last Saturday evening, I captured a video of the presentation with my ipad.  While waiting for it to upload to video for my family to see, I drew and painted the above image.  ( I didn’t know not to film it in Portrait……. it has taken me all day to upload the video!) It is now 5:11 pm.  I realize that today’s sketchbook drawing is a self-portrait of where I am at this moment …. a really great place to be ….. and a great place to move on from.  I remember the moment of hesitation, standing at the end of the diving board.  Taking a deep breath before beginning my steps forward … leading to the end of the board and the leap forward into the air above the water ….. reaching me arms out into a swan dive or folding my body in half into a Jack-Knife Dive…… then entering the water and gliding through the liquid space beneath the surface.

Image:  Drawn first in ink with fountain pen (Noodler’s Whalerman’s Sepia) followed by watercolor using a limited palette of Raw sienna, cadmium red deep and ultramarine blue.

A quick reminder…. I am teaching workshops in Santa Rosa again at the end of April!

April 25th & 26th …. Village Art Supply – Color Scheme Game and Color Value Workshop

April 27th & 28th …. Riley Street Art Supply – Extraordinary and Fun Watercolor Techniques playing with Abstract Design.

Email me for details … Chris@ChrisCarterArt.com

Posting online tutorials has been one of my goals for the past year.  It has finally become a reality, thanks to all who have already walked this path and are willing to share their expertise.  I have spent the last two weeks learning how to set up the ipad on my tripod, exchanging files between devices, editing, adding music and uploading to Vimeo.  Next phase is voice overs and text.

I’m posting basic tutorials on my website blog showing various lessons taught in my Color Scheme Game Workshops.  I hope they will serve as quick reference and refreshers for my students.

What I didn’t expect was that I would learn so much from watching myself paint!

Some things can be taught … some things cannot.

Abstract Design from Traced Objects

Abstract Design from Traced Objects – Watercolor on Rives BFK Paper (6″ x 9″)

While preparing to teach the upcoming Watercolor Techniques Workshop in Santa Rosa, I decided to snap some photos of a painting in progress to illustrate several of the techniques I’ll be teaching.  Techniques are easy to teach. How to use tools is easy to teach.  The fundamentals of art are all easy to teach, presenting them in a variety of ways so that students who learn concepts differently will all grasp the basic idea.  It’s up to the students to practice what is learned in classes and workshops.

Tools and Techniques can be taught , but Translation is difficult if not impossible to teach.  How does one teach the translation of an unspoken language, the language of vision combined with unseen light waves and sound waves, rhythms of movement through a three-dimensional space?

Some paintings are rooted to tools and techniques, never stepping over the line into the realm of chance and possibilities where the “what if” thrives, where the population of  things gone wrong and unresolved paintings far outnumber the paintings that are a step above everything else, those that usually don’t follow the rules.  Something else has happened during the process of creation that make a painting as unique as every child, even identical twins whose genetics are the same.  Something has happened. Often, that something will happen in a spot or two of a painting.  It is a true gem when a painting as a whole declares its independence from the artist and can stand alone in a crowd without explanation.

The above painting began like this:

Early stage of painting

Early stage of painting

The composition gave me a hard time.  The pivot point is plunk in the middle of the painting.  I struggled for hours, layering, wiping out, scrubbing, splatting, wiping out, glazing ….. and more lifting of paint.  Two hours into it I stopped snapping photos of the methods I was using to try to resolve the painting.  Six hours in, it began to breath a life of its own.  I was in battle mode and didn’t notice for a while.  It fought …. and I fought back.  The painting finally won.  I allowed it to be completely different from what I thought it should be.  I was even a bit angry with it.

I went to bed disgruntled.

When I awoke this morning I was surprised that the painting expressed everything I had intended, patterns, textures, interweaving of shapes as they move through space, a glow of light against mysterious darks reaching far beyond the flat surface of the paper.

I can encourage my students to step across the line.  I can even push a few across, but I can’t teach any of them how to translate their heart beats and their breath.  Nor can I teach them what drives me to draw and paint each and every day of my life.  I could say it is the joy of drawing and painting.  It’s not just the joys, it is also that I grow stronger hrom each battle I fight, whether I have won or lost, it makes no difference.  For the hundreds of paintings I’ve sold and exhibited, I’ve thrown away ten times that number.  If I ever get to the point where I’m not discarding most of my paintings it will mean I’ve stopped taking risks and stopped searching for new ways to translate my world.  I don’t ever want to see the day that I don’t take the chance of creating an unsuccessful painting.

Image:  Watercolor and a touch of unsuccessfully sprayed ink using a mouth atomizer.

Tomorrow I take another step forward with today’s technology.

Pete's Measuring Spoons

Pete’s Measuring Spoons

I’m in Asheville, NC with my friend Pete.  He will create my first painting demos to post online.  I’m excited to add this additional reference for my students.  I’ll spend the day today preparing drawings for tomorrow’s shoot.

Sketchbook drawing:  drawn first in ink with fountain pen followed by watercolor.  I was testing how pushing the puddle works on the surface of a recycled file folder.  It is smooth and not as absorbent as the Rives BFK paper.  However, it behaves well and I like it.

I’ve avoided embracing the excitement over Artist Trading Cards ….. until now.

Black Bush Sage

Black Bush Sage

I awoke late.  The sky was the color of cantaloupe.  As I sipped my coffee I created my first ACEO.  When I taught the workshop in Santa Rosa last month, Joanie nudged me to try creating a few trading cards.  After several weeks, my resistance faded.  I resolved the problem of working on such a small piece of paper (2.5″ x 3.5″) by stitching a sketchbook just for the ACEOs.  The sketchbook pages measure 4″ x 5.5″, a slightly more comfortable size to work on.
Now that I have my new website with my own little store, I can offer these little gems without a hassle, either cut to standard ATC size or full-page size for framing.

Full Page - Black Bush Sage

Full Page – Black Bush Sage

The sketchbook was created with a boring cover.  My intention is to cut the pages out as they sell.  If I liked the cover, I wouldn’t cut the pages out.  I always have to trick myself.  The little drawings I do in my sketchbook I like far better than the drawings I do on separate pieces of paper with the intention of selling.  I end up with boxes full of drawings that I eventually throw away.  The problem was that I won’t cut pages out of my personal sketchbooks.  The solution is to make specific sketchbooks that are intended to be cut apart.

Will I be able to trick my brain?  Time will tell.

Image: Black Bush Sage Against a Melon Sky – drawn first with fountain pen followed by watercolor.